Licensed Tracks/SFX (in order): Biodynamic modulated stutter riser, Dance like crazy – Ikoliks, Our Vibe – Superlative, Dance Out There – Alejandro Molinari, Pineapple Disco – Audiopanther, Bring It – Naems, Blurry Stars – Nbdy Nprtnt, Dark Future – Skygaze, Taika Promo (Rolling Stone VO). Visual Credits (in order of appearance): Kylie Minogue – Can’t Get You Out of My Head, Crystal Waters – Gypsy Woman, Beyonce – Blow, Corona – The Rhythm of the Night, Madonna – Sorry, Britney – Till the World Ends, Madonna – Vogue, Daft Punk – Get Lucky, Robyn – Dancing on my Own, Joey Beltram – Energy Flash, Azealia Banks – 212, Rihanna & Calvin Harris – We Found Love, DJ Snake & Lil Jon – Turn Down for What, Sylvester – You Make Me Feel, Piri – Soft Spot, Chic – Le Freak, Dee-Lite – Groove is in the Heart, Donna Summer – I Feel Love, Prince – When Doves Cry, Erik B & Rakim – Paid in Full, First Choice – Let No Man Asunder, Michael Jackson – Don’t Stop ’Til you get Enough, A Guy Called Gerald – Voodoo Ray, Grace Jones – Bumper, Marshall – Move Your Body, Internet sensation kid 1997 in Berlin, Whitney Houston – It’s Not Right. Video Editor, Brian Lynch for Rolling Stone If you’re wondering how we got to a summer where Drake and Beyonce are suddenly releasing house records, this is that story - or, at least, our version of it. That’s why you’ll see Prince, Robyn, Britney Spears, Shakira, and Justin Bieber in here bumping up against Adonis, Frankie Knuckles, Moodymann, Goldie, and SOPHIE. We were looking for tracks that seemed to transcend and feel more universally canonical, and we were especially mindful of the moments where dance music has intersected with the wider musical world– with synth-pop, hip-hop, funk, Miami bass, R&B, indie-rock, Latin music and pop. The list doesn’t attempt to incorporate every ripple in this oceanic confluence of sub-genres. These sounds all had peak moments of exposure, but they never fade away: drum ”n’ bass is having a new moment right now, and there are house songs here from the past few years. It gets born again when disco is re-engineered as house music in Chicago and techno in Detroit, and mutates with almost comic velocity into the Nineties rave explosion that produced everything from jungle to trance to gabba to garage, and eventually the EDM and dubstep bonanzas of the 2000s. James Brown, our story of dance music begins in the mid-1970s with disco, and moves into early Eighties club sounds like electro and Latin freestyle. But to make our list of The 200 Greatest Dance Songs of All Time, a song had to be part of “dance music culture.” It’s a more specific world, but an enormous one too, going back nearly fifty years and eternally evolving right up to today and into the future.Īfter paying homage to the godfather of the extended groove, Mr. Nearly all the hip-hop and reggae ever made is great dance music. The Beatles made great dance songs - as did Slayer. In a sense, any song that ever got any one person moving in any perceptible direction is a dance song. Take a listen to Justin Martin’s brand new remix below, and you’ll see why we’ve been waiting for this one for so long.What do we mean by “dance songs”? Good question. We can only hope that they follow suit and get an official release one day just like this has. Justin still has a handful of highly coveted tracks that he’s holding onto. He’s known for making beautiful tracks with heavenly melodies, but at the same time including seriously heavy bass that can have you grooving and tearing up at the same time. The track is a remix of a classic, Strafe’s “ Set It Off.” It’s sped up to 120 BPM and chopped into a breakbeat rhythm, and its everything we love about Justin Martin. That’s why their fans were stunned when he announced that he would be releasing one of his most elusive tracks on October 12th. Co-founder of the Dirtybird crew, Justin Martin, is infamous for sitting on some of the best music he’s ever created.

Dirtybird fans never thought they would see this day.

Set it off strafe